The last resting place of Les Kurbas

Acclaimed curator and theatre director from New York Virlana Tkacz and artist Waldemart Klyuzko will give a talk in London tonight about Les KURBAS, Ukraine’s most important theatre director, who radically transformed Ukrainian theatre in the 1920s.

Kurbas lecture poster, May 2019

Wednesday, 8 May, 7 pm
Main Hall of the Ukrainian Catholic Cathedral of the Holy Family,
21 Binney Street, Mayfair, London W1K 5BQ

Kurbas and almost three hundred other representatives of Ukraine’s intelligentsia were shot at Sandarmokh between 27 October and 4 November 1937. They have become known as Ukraine’s “Executed Renaissance”.

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Kommunarka Controversy (Pt 2)

“In August 1937 the most extensive and cruel period of political repression began,” wrote the late Arseny Roginsky in an Afterword to the Kommunarka Book of Remembrance. “In July the NKVD departments across the USSR had already began to set aside special ‘zones’, areas for the mass burial of those they shot. For locals these usually became known, euphemistically, as army firing ranges.

golden hill chelyabinsk

Golden Hill (Zolotaya gora) Chelyabinsk

“This was how the zones that we know today came into being: the Levashovo Wasteland near Leningrad, Kuropaty near Minsk, the Golden Hill near Chelyabinsk, Bykovnya on the outskirts of Kiev, and many others.”

For decades after the death of Stalin in 1953, these sites remained in the hands of the NKVD’s successor, the KGB, and only in the very last years of the Soviet Union did they become known as the burial sites and killing fields of the Great Terror. There were two “firing ranges” on the outskirts of Moscow, at Butovo and Kommunarka.

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The Kommunarka controversy

On 29 October the annual ceremony of “Restoring the Names” took place in Moscow, despite previous uncertainties. That day and the next, similar events took place in 19 other Russian towns and cities (and in several foreign cities as well).

In many more places, including Sandarmokh and Krasny Bor in Karelia, the 30 October was marked as the Day of Remembrance for the Victims of Political Repression. There was no mention of Yury DMITRIEV, his daughter complained, at the Zaretsky churchyard in Petrozavodsk or at Krasny Bor.

He was remembered, that day, when the Memorial Human Rights Centre in Moscow issued its updated List of Political Prisoners in Russia. As the compilers were careful to comment, it contained the minimum verified list of those who had been detained or prosecuted on political grounds or for reason of their religious beliefs. (Yury DMITRIEV was prominent among the political prisoners; museum director Sergei Koltyrin had not yet been added to the list.)

stena_pamiati_vlad_dokshin_novaia_gazeta

Wall of Remembrance, Kommunarka (photo, Vlad Dokshin, Novaya gazeta)

The most dramatic event proved to be the opening, a few days earlier, of the Wall of Remembrance at the Kommunarka execution site and burial ground outside Moscow. Within days other organisations (The Immortal Barrack, notably) were accusing Memorial of rehabilitating the executioners.

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Moscow’s “Restoring the Names” (2018) in question

For the last 11 years the ceremony of Restoring the Names has been held each year in Moscow on 29 October at the Solovki Stone on Lubyanka Square. Several thousand people queue up to read out the name of someone who was executed during the Great Terror of the late 1930s in a moving event that takes many hours.

View of 2017 event from above (2)

29 October 2017, Lubyanka Square, Moscow

On Friday 19 October, the Moscow city authorities suddenly withdrew permission to hold this year’s ceremony in its traditional location, next to FSB headquarters, claiming that ongoing construction and restoration work made the site unsuitable.

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The significance of Sandarmokh

In March 2017 Anna Yarovaya wrote a long article about the Dmitriev Affair for the 7×7 news website. Among those whose words she then recorded was Irina FLIGE, director of the Memorial Research Centre in St Petersburg and one of those who, with Yury DMITRIEV, discovered Sandarmokh in July 1997:

Irina Flige (RFI)

Irina Flige

“Sandarmokh is a unique and complete investigation. It is enormously to the credit of Yury DMITRIEV that he gathered together all the documentary information and, as a result, we today know who exactly is buried here. <…>

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