Observers from Memorial monitor the behaviour of Russian Military History Society as it excavates a site at the very centre of Sandarmokh
I can’t look calmly at this photo. In the very heart of Sandarmokh, between commemorative stones and plaques on the trees, they are now digging up the graves.
I have one question.
If someone came along and started digging up a memorial to the soldiers of the Great Patriotic War [1941-1945] would everyone accept it so easily? Or would people pause for thought and decide that you cannot do such things?
The photo was taken by girls from Memorial who have been monitoring this lawless behaviour for four days now at Sandarmokh. [They can be seen to the left of the uniformed Military History excavators.]
Facebook post by the former 7×7 website correspondent who today lives in Finland.
Rewriting the history of the Great Terror
New excavations are underway at the Sandarmokh Clearing in Karelia which holds the last remains of thousands of victims of the Great Terror of 1937-1938 [the banner photo of this site shows a view of the Clearing and some of the individual markers erected there by descendants of the victims].
Any pretence that the excavations by a body linked to the Russian Minister of Culture are not aimed at rewriting history has been dispelled by a letter from the Karelian Ministry of Culture. This openly questions the internationally-recognized fact that the mass graves are of victims of the Terror, and, since this “damages Russia’s international image”, asks for another hypothesis, unbacked by any documentary proof, to be “investigated”.
Excavations by Russian Military History Society, August 2019 (photo, 7×7 news website)
Acclaimed curator and theatre director from New York Virlana Tkacz and artist Waldemart Klyuzko will give a talk in London tonight about Les KURBAS, Ukraine’s most important theatre director, who radically transformed Ukrainian theatre in the 1920s.
Wednesday, 8 May, 7 pm
Main Hall of the Ukrainian Catholic Cathedral of the Holy Family,
21 Binney Street, Mayfair, London W1K 5BQ
Kurbas and almost three hundred other representatives of Ukraine’s intelligentsia were shot at Sandarmokh between 27 October and 4 November 1937. They have become known as Ukraine’s “Executed Renaissance”.
“In August 1937 the most extensive and cruel period of political repression began,” wrote the late Arseny Roginsky in an Afterword to the Kommunarka Book of Remembrance. “In July the NKVD departments across the USSR had already began to set aside special ‘zones’, areas for the mass burial of those they shot. For locals these usually became known, euphemistically, as army firing ranges.
Golden Hill (Zolotaya gora) Chelyabinsk
“This was how the zones that we know today came into being: the Levashovo Wasteland near Leningrad, Kuropaty near Minsk, the Golden Hill near Chelyabinsk, Bykovnya on the outskirts of Kiev, and many others.”
For decades after the death of Stalin in 1953, these sites remained in the hands of the NKVD’s successor, the KGB, and only in the very last years of the Soviet Union did they become known as the burial sites and killing fields of the Great Terror. There were two “firing ranges” on the outskirts of Moscow, at Butovo and Kommunarka.
On 29 October the annual ceremony of “Restoring the Names” took place in Moscow, despite previous uncertainties. That day and the next, similar events took place in 19 other Russian towns and cities (and in several foreign cities as well).
In many more places, including Sandarmokh and Krasny Bor in Karelia, the 30 October was marked as the Day of Remembrance for the Victims of Political Repression. There was no mention of Yury DMITRIEV, his daughter complained, at the Zaretsky churchyard in Petrozavodsk or at Krasny Bor.
He was remembered, that day, when the Memorial Human Rights Centre in Moscow issued its updated List of Political Prisoners in Russia. As the compilers were careful to comment, it contained the minimum verified list of those who had been detained or prosecuted on political grounds or for reason of their religious beliefs. (Yury DMITRIEV was prominent among the political prisoners; museum director Sergei Koltyrin had not yet been added to the list.)
Wall of Remembrance, Kommunarka (photo, Vlad Dokshin, Novaya gazeta)
The most dramatic event proved to be the opening, a few days earlier, of the Wall of Remembrance at the Kommunarka execution site and burial ground outside Moscow. Within days other organisations (The Immortal Barrack, notably) were accusing Memorial of rehabilitating the executioners.