“Twenty years ago, it seemed to us that Sandormokh as a place and these acts of remembrance divided the present from the past,” said Irina FLIGE in August 2017, at the Day of Remembrance at Sandormokh. “Today, unfortunately, we must recognise that memories of the Great Terror have not become part of our [shared] memory …”
The previous year two historians at Petrozavodsk University had put forward a ‘new hypothesis’ as to who lay buried in the woods outside Medvezhegorsk; in the Karelian capital, Yury Dmitriev was spending his eighth month in jail.
It took years to locate Karelia’s largest killing ground of the late 1930s. Irina Flige’s account of that long, painstaking quest is described in her The Search for Sandormokh, which was launched in Moscow in July 2019. At the same press conference the proposed excavations by the Russian Military History Society were exposed and condemned. Meanwhile, Dmitriev, acquitted in April 2018, was on trial for a second time and once again incarcerated in Petrozavodsk’s Detention Centre No 1.
Acclaimed curator and theatre director from New York Virlana Tkacz and artist Waldemart Klyuzko will give a talk in London tonight about Les KURBAS, Ukraine’s most important theatre director, who radically transformed Ukrainian theatre in the 1920s.
Wednesday, 8 May, 7 pm
Main Hall of the Ukrainian Catholic Cathedral of the Holy Family,
21 Binney Street, Mayfair, London W1K 5BQ
Kurbas and almost three hundred other representatives of Ukraine’s intelligentsia were shot at Sandarmokh between 27 October and 4 November 1937. They have become known as Ukraine’s “Executed Renaissance”.
Another of those shot at Sandarmokh between 27 October and 4 November 1937 was Oleksiy SARVAN (1893-1937). The March 1937 Resolution from the White Sea Canal corrective-labour camps (see below) sends Sarvan for trial because of his “systematic anti-Soviet work” among his fellow prisoners.
Andriy Stepanovich PANIV was shot at Sandarmokh eighty years ago. He was one of 1,116 prisoners, marked for execution, who were shipped from Solovki to the mainland in autumn 1937.
Born 1899, Paniv was a rural schoolteacher in Ukraine (1918-1923), a writer, poet, journalist and translator. Before his arrest, he lived in the “Word” building in Kharkiv, then the capital of Soviet Ukraine.
It is immoral to support the hypocrisy of the Russian authorities
An appeal by former political prisoners
concerning today’s opening of a monument in Moscow
As former political prisoners and participants in the Democratic Movement in the Soviet Union, we consider the opening in Moscow of a monument to the “victims of political repression” to be untimely and hypocritical. A monument is a tribute to the past, yet acts of political repression in Russia not only continue – they are increasing.
In sponsoring the opening of the monument, the present Russian regime is pretending that acts of political repression are a thing of the distant past: the victims of such political repression, therefore, may be commemorated. We believe that today’s political prisoners in Russia are no less deserving of our help and attention than the respect and remembrance we owe to the victims of the Soviet regime.